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[转帖]捏盘乐队

[转帖]捏盘乐队

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涅槃乐队Nirvana)是一支美国摇滚乐队,于1987年华盛顿州阿伯丁组建。通过他们专辑Nevermind里的anthemSmells Like Teen Spirit两首作品打入美国主流音乐。由于当时主流媒体的不友好,他们所处的音乐流派被称为垃圾摇滚(Grunge,原本是美国俚语,有乏味、丑陋和脏乱等讽刺意味,事实上涅槃的音乐风格是由朋克另类摇滚发展出来的一个分支)。与他们在西雅图的同类Alice in Chains珍珠果酱(Pearl Jam)和音园(Soundgarden)一起,涅槃乐队把大众的焦点聚集到Grunge音乐上来,使Grunge音乐在20世纪90年代中前期在广播和音乐电视的播放率上占据了统治性的地位。

历史


早期

Kurt Cobain与Krist Novoselic相识于1985年,当时他们同样是一个名叫The Melvins的Grunge乐队歌迷,并经常在乐队的排练空间附近徘徊。两个人觉得可以开始组自己的乐队,于是招募了鼓手Aaron Burckhard,创造了第一个Nirvana的典型。刚开始的几个月,两个人与许多的鼓手共事,包括The Melvins的鼓手Dale Crover,第一个Demo里面即是他在打鼓。同时,乐队也用过一系列的名字,直到他们在1988年2月定下来Nirvana这个名字之前,他们用过Skid Row,Pen Cap Chew,和Ted Ed Fred等作为团名。两个月后,乐队也确定了鼓手的位置由Chad Channing担任。

Nirvana第一张正式发行的作品是1988年发行的单曲Love Buzz/Big Cheese。1989年乐队在Sub Pop唱片公司发行了他们的首张专辑Bleach(台湾翻译为“漂白”)。 1989年的8月8号,1000张Bleach的白色唱片在Lamefest全数售光,这张专辑展现出高度被The Melvins、Mudhoney、Black Sabbath、Led Zeppelin等团影响的一面。Krist Novoselic在2001年接受Rolling Stone采访时表示,乐队曾经在巡回的时候在车上放过一卷录音带来听,当时录音带的一面是The Smithereens的一张专辑,另一面则是黑金属乐队Celtic Frost的专辑,采访记录中写到,这张“合辑”或许对他们影响很大。“漂白”这张专辑在大学电台间被广泛喜爱,但也些微暗示了他们两年后的找寻自我。

Jason Everman在“漂白”专辑中名列第二位吉他手,但实际上他并没有参与录制,而是出资帮助Nirvana完成录音,专辑共花了606.17元美金。专辑完成之后, Everson短暂的成为乐队的第二吉他手,但在随后乐队首次的全美巡回时被解雇。不久后,他短暂的帮Soundgarden弹奏贝斯,直到加入Mind Funk为止。

到1990年代早期,乐队开始与制作人Butch Vig共事“漂白”专辑之后的录音活动。在这段期间Kurt和Krist了解到Chad并不是乐队真正需要的鼓手,而他也在这段期间过后离队。经过了短暂给The Melvins鼓手Dale Crover代打后的几个星期,乐队雇用了Mudhoney的鼓手Dan Peters,并与他录制了〝Silver〞这首歌。这年的年尾,The Melvins的Buzz Osborne介绍Dave Grohl给他们─Dave Grohl的乐队Scream突然解散,而他正在寻觅新乐队,正好Nirvana也是跟随Scream的曲风。


从不介意

经过了Sonic Youth的Kim Gordon一而再再而三的推荐,David Geffen在1990年签下了Nirvana到DGC唱片公司,乐队随后开始录制他们第一张在主流唱片公司的专辑。结果,“从不介意”现在已经是广泛被认为的经典。

为了这张专辑,乐队决定继续与Vig共同合作。不过并不是在Vig的Madison录音室,乐队转往洛杉矶的Sound City录音室录音。花了两个月时间,乐队制作了多样化的歌曲,一些歌例如〝In Bloom〞和〝Breed〞成为随后他们的代表歌曲,而有些其他作品例如:〝On a Plain〞和Stay Away"则是一直缺少歌词,直到录音过程的中间才完成。

录音完成后,乐队与Vig开始专辑的混音工作。但是几天过后,乐队与Vig都对混音的成果不满意。结果,他们决定叫其他人来监制混音过程,DGC提供了一系列可选择的人选,名单中包括一些熟悉的名字,如Scott Litt(与R.E.M合作而出名)和Ed Stasium(与The Smithereens合作而出名)。但是Kurt感到愤怒的是这些知名混音师完成的结果,听起来却像是与别的乐队合作一般。他决定选择一个名单底部、“Slayer”名字旁边的家伙来:Andy Wallace。﹝Wallace曾参与制作Slayer在1990年的专辑Seasons in the Abyss。﹞

Wallace带给了这张专辑一个完全不同的方向,他加了许多层回音,和一些录音室的修饰技巧,给了这张专辑光亮的感觉。专辑发行后的几个月,Kurt颇有压力的报怨“从不介意”这张专辑听起来太过平滑了点─虽然邀请Wallace是他自己的选择,而乐队也都有参与到混音过程。即使乐队对专辑听起来的效果相当失望,但Wallace已经成功的调和了乐队的独立摇滚倾向,并且创造了一种未来十年不断有人想要复制的主流摇滚。

刚开始,DGC唱片公司希望“从不介意”这张专辑能卖个250,000张左右,与Sonic Youth的等级差不多,且这销售数字唱片公司也曾经达成。但没想到发行后六个月内就在全美卖了公证的三白金等级销量﹝三百万张﹞,"Smells Like Teen Spirit" 强力的在MTV被播送,并且带领了Grunge声音进入主流。现在大多数的另类摇滚,若和甩著头发的金属乐扯上点边,这常常是得归功于这张专辑“从不介意”。1992年的1月,专辑攀上了美国告示牌排行榜的榜首,取代了原本麦可‧杰克森的“危险”专辑,这件事常被认为是当时气势上升的另类音乐盖过流行音乐的证明。由于被表彰到让他们精疲力尽,乐队决定不著手举办其他宣传“从不介意”的全美巡回演唱,而选择在年末举办少量的表演。

在1992年2月,乐队在澳洲巡回的时候,Cobain与Courtney Love在夏威夷结婚。因为爱情,他们在八月时有了一个女儿Frances Bean。Frances Bean诞生的几天后,乐队在英国的Reading Festival担纲主秀,做了他们一次最闻名的演出。Cobain如真实的笑话一般,坐著轮椅进入舞台,过程中他站了起来,哭著加入乐队一角,还挂著各式配件和新旧织物。表演的一个重点在Cobain对大众叙述他最近新到来的女儿,而且还成功带领大众一致反覆著"We love you, Courtney!"这句话。Dave Grohl在2005年上广播节目"Loveline"时提到,乐队曾诚实的预想这场表演会十分失败,他们已经6个月没有排练了。结果这场表演最后成为他们生涯最难忘的一场。

不到两个礼拜的时间后,Nirvana在MTV音乐录像带颁奖上做了让人印象深刻的表演。当时MTV想要乐队演奏"Smells Like Teen Spirit",但是他们却想演奏新歌 "Rape Me"。MTV被这主意吓了一跳,最后他们同意乐队演奏"Lithium"代替,这也是接下来要发行的单曲。当表演开始的时候,Kurt漫不经心的唱出"Rape Me"的一小段,后来又转而接上"Lithium",这让在场MTV的行政人员吃了一惊。接近歌曲尾声时,贝斯音箱失去了作用,Novoselic感到失望,决定把贝斯往空中抛来制造一些戏剧性效果。但是他判断错了著地点,贝斯砰的一声打在他的额头,痛的他在舞台上踉跄而行,头晕眼花。当Cobain开始捣坏他们的器材时,Grohl跑到前面并对著麦克风重复喊叫著"Hi, Axl!",提到的是枪与玫瑰合唱团的主唱Axl Rose,因为之前乐队与Courtney在这表演前曾经很奇妙的与他偶然撞见。

Nirvana后来在1992年的12月发行了Incesticide,这是一张B面歌曲及少见作品的合辑。有许多歌曲是Nirvana在英国BBC国家广播电台的录音,以及未发行的早期录音,而这些早期录音正要在交易圈里以不合法的bootleg形式流通,因此这张专辑给了bootlegger(以这些录音作品牟利的人)重重一击,这张作品包含了许多乐迷的最爱,像是"Sliver"、"Dive"、"Been a Son",和"Aneurysm",以及一些翻唱The Vaselines(一支英国乐队)的歌曲,这个乐队也因为Nirvana的翻唱而更广为人知。

母体

为了1993年将推出的“母体”专辑,乐队雇请了Steve Albini来当制作人,他最有名的案子应该是与the Pixies合作的专辑“Surfer Rosa”。与Albini合作的期间相当有成效,而且明显的快了些:最刚开始的专辑版本在两周内便录制与混音完成,与花在录音和混音“Nevermind”的好几个月相比有一大段距离。

Albini在制作时十分谨慎的更动Nirvana的部份,让这张专辑原始一点,少些光亮的声音,以让乐队能如愿疏远或远离他们的新“主流”观众,有些观众只稍微、或是根本不注意另类、黑暗或实验性质的Nirvana,而这正是他们的源头。举例来说,"Radio Friendly Unit Shifter"这首歌的特色便是有一长段的尖声回馈(feedback),明显而讽刺。(在这行业里,"radio-friendly unit shifter"描述的是“理想”的专辑─一张能够得到电台强力放送,最后能大卖的唱片)。无论如何,Cobain坚持Albini混出的声音朴素,这也是他永远想要Nirvana有的─一个“自然”的录音,除去一层又一层的录音室技巧。

随著专辑的发行来临,歌迷沉浸在“歪曲杰作”印象之中。然而,事实上乐队不太高兴Albini一些确信的观点。特别他们觉得BASS推的太小,而且Cobain觉得"Heart-Shaped Box"和"All Apologies"听起来不够“完美”。长期为R.E.M.担任制作人的Scott Litt被请去帮忙重新混音那两首歌,Cobain也重新加了乐器和合音。Litt也重新混音了"Pennyroyal Tea",但是Albini的版本仍然被使用在专辑里。(DGC计划以后将Litt的版本发成单曲)

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由于维基上的中文并不全,所以再贴上后面的英文部分的!

With the release of In Utero, the band also faced corporate censorship. Giant store chains Kmart and Wal-Mart refused to carry the album, citing song titles like "Rape Me" and Kurt's plastic-fetus collage on the back cover as too controversial for the "family-oriented" retailers. The band decided to abide by the request, and compiled a version of the album with "clean" artwork and "Rape Me" retitled "Waif Me". Other than the inclusion of Litt's mix of "Pennyroyal Tea", however, the music on the album was identical to the wider release. When asked about the edited version, Kurt noted that he could relate to the small-town residents that had no other local music stores and were forced to buy their music at Kmart.[15]

While "Heart-Shaped Box" was received warmly by alternative and mainstream radio, and In Utero debuted at number one on the Billboard Album chart, the album did not enjoy the same success as Nevermind. That fall, Nirvana embarked on a US tour, its first major tour of the States since the success of "Smells Like Teen Spirit". (For touring in support of In Utero, the band added Pat Smear of the punk rock band The Germs as a second guitarist.)

In November 1993, the band decided to change direction and sat down for an appearance on MTV Unplugged. The sessions revealed the depth of Cobain's songwriting, which had often been buried under the sonic fury of the band's sound. The song selection also demonstrated Cobain's broad musical interests through his choice of cover songs. It became a hallmark moment of Nirvana's history, if not amplified by the tragedy soon to follow.

In early 1994, the band embarked on a European tour. While the tour started well, the performances gradually declined, with Kurt looking bored and distracted during the shows, particularly during the Italian leg of the tour. Following a tour stop at Terminal Eins in Munich, Germany, on March 1, Cobain was diagnosed with bronchitis and severe laryngitis. The next night's show at the same venue was cancelled. On the morning of March 4, Love found Cobain unconscious and he was rushed to the hospital. The doctor told a press conference that the singer had reacted to a combination of prescription Rohypnol and alcohol. The rest of the tour was canceled, including a planned leg in the UK.

In the ensuing weeks, Cobain's heroin addiction resurfaced. An intervention was organized, and Cobain was convinced to check into drug rehabilitation. After less than a week in rehabilitation, Cobain climbed over the wall of the facility and took a plane back to Seattle. A week later, on Friday, April 8, 1994, Cobain was found dead by an electrician at his Seattle home, effectively dissolving Nirvana. (See Cobain's final weeks for more information.)


[edit] After Cobain's death

Several Nirvana albums have been released since Cobain's death. The first came in November of 1994 with the release of the band's performance for MTV Unplugged, MTV Unplugged in New York. The album included guest appearances by members of the Meat Puppets, as well as cover versions of songs by the Meat Puppets, Lead Belly, The Vaselines, and David Bowie.

Two weeks after the release of Unplugged in New York, a video compilation of Nirvana performances, titled Live! Tonight! Sold Out!!, was released. Cobain himself had compiled a significant part of the video, which documented much of the Nevermind tour. Memorable footage from the video included an infamous incident with a bouncer at a Texas club in October 1991, as well as the band's performance of "Aneurysm" donned in dresses at the Hollywood Rock Festival in Rio de Janeiro, Brazil in January 1993.

The original intention was to release the MTV Unplugged set in a double-disc package, along with a second disc of live electric material to balance the acoustic set. However, for the two surviving band members, sorting through the treasure trove of Nirvana recordings so soon after Cobain's passing became too emotionally overwhelming.[16] The live disc, a compilation of Nirvana concert recordings, finally saw release in October of 1996, titled From the Muddy Banks of the Wishkah.

In August of 1997, online music news website Wall of Sound reported that Grohl and Novoselic were organizing a box set of Nirvana rarities.[17] Four years later, the band's label announced that the box set was complete and would see release in September to coincide with the 10th anniversary of the release of Nevermind. However, shortly before the release date, Love filed an injunction to stop the box set's release and sued Grohl and Novoselic, claiming that Cobain's former bandmates were hijacking Nirvana's legacy for their own personal interests. What followed was a protracted legal battle over the ownership of Nirvana's music that lasted for more than a year.[18]

Much of the legal wrangling centered on a single unreleased song, "You Know You're Right", the band's final studio recording. Grohl and Novoselic wanted to include the song on the box set, essentially releasing all of the rarities at one time. Love, however, argued that the song was more important than just a generic "rarity", and should be included on a single-disc greatest hits compilation. After more than a year of often public and sometimes bizarre legal maneuvering, the parties settled, agreeing on the immediate release of the greatest hits package including "You Know You're Right", titled simply Nirvana. In turn, Love agreed to donate cassette demos recorded by Cobain for use on the box set.

Nirvana fans' first taste of "You Know You're Right" came in early 1995 when Love played a version of the song with her band Hole on MTV Unplugged under the title "You've Got No Right". A live rough draft version of the song performed by Nirvana at their October 23, 1993 concert at the Aragon Ballroom in Chicago surfaced in Nirvana tape-trading circles a few months later. In the years that followed, rumors of the existence of a studio version of the song perpetuated through Nirvana's fanbase and grew to almost mythic proportions. For fans, the first real confirmation of the studio version's existence came in November 2001 when Access Hollywood aired a ten second clip of the song as part of an interview with Love. In May 2002, several longer clips surfaced on the Internet via an unknown source, who claimed he was planning to release the entire song. However, the source backed down, fearing legal action. As the court case neared completion in September 2002, the entire song unexpectedly leaked, days before the announcement of the release of Nirvana. Even though the studio version turned out itself to be a rough draft with unfinished lyrics, fans and non-fans alike adored the song, leading it to become one of the most-played songs on alternative radio in both 2002 and 2003.

Nirvana was released on October 29, 2002. On top of "You Know You're Right", the album contained hit singles from their three studio albums as well as several alternate mixes and recordings of familiar Nirvana songs. Following its release, many long-time fans complained about the song selection, noting that the alternate version of "Been a Son" (from the Blew EP) was not the band's preferred version, and that the disc lacked songs such as "Sappy" (released as "Verse Chorus Verse") that had received significant radio airplay in the US following Cobain's death. Fans outside the US questioned the inclusion of the Unplugged version of "All Apologies" (as opposed to the single version from In Utero) and the Bleach version of "About a Girl" (where the Unplugged version was a popular single in 1994). In addition, with a running time of less than fifty minutes, there was certainly ample space to include other popular songs, such as "Love Buzz", "Drain You", "Aneurysm", and "Where Did You Sleep Last Night?" (the latter of which was included on some foreign releases of the disc).

The box set, With the Lights Out, was finally released in November 2004. The release contained a vast array of early Cobain demos, rough rehearsal recordings, and live tracks recorded throughout the band's history. Of note to serious Nirvana fans were unfinished studio recordings of "Old Age" and "Verse Chorus Verse" (different from "Sappy") recorded during the Nevermind sessions. Another notable track on the box set was a solo acoustic demo of a song called "Do Re Mi", recorded by Cobain in his bedroom. The song showed that even in the turmoil of his final days, Kurt still had the gift for melody that he had demonstrated so many years earlier in songs like "About a Girl".

A best-of-the-box compilation titled Sliver: The Best of the Box was released in the fall of 2005. The CD compiled nineteen tracks from the box set plus three previously unreleased tracks, including a version of the song "Spank Thru" from the fabled 1985 Fecal Matter demo tape. According to Rolling Stone, Cobain's daughter Frances Bean aided in the selection of the title and cover art.[19]

In a 2002 interview with Jim DeRogatis,[20] Love described the countless rehearsal tapes, demos, and bedroom recordings that were left behind after Cobain's death. For example, a four-track version of "Do Re Mi" was apparently recorded with Kurt on drums, Pat Smear on guitar, and Eric Erlandson on bass. Whether anything from the remaining archive will ever see release remains to be seen.

In April 2006, Love announced that she had arranged to sell twenty-five percent of her stake in the Nirvana song catalog in a deal estimated at $50 million. The share was purchased by Primary Wave Music, which was founded by Larry Mestel, a former CEO of Virgin Records. As Love controlled ninety-seven percent of Nirvana's catalog, the deal meant that Mestel had a significantly larger stake than Novoselic and Grohl combined. In an accompanying statement, Love sought to assure Nirvana's fanbase that the music would not simply be licensed to the highest bidder, noting, "We are going to remain very tasteful and true to the spirit of Nirvana while taking the music to places it has never been before." [21] The initial licensing included the use of "Breed" in commercials for two videogames, "Motorstorm" and "Major League Baseball 2K7".

[edit] Post-Nirvana

In the years following Nirvana's disbanding, both of its surviving members have remained musically active. Not long after Cobain's death, Grohl recorded a series of demos that eventually became the debut album for the Foo Fighters. The Foo Fighters became Grohl's main project, releasing several commercially successful records over the next decade. The Foo Fighters' 2005 album In Your Honor featured a song called "Friend of a Friend", which Grohl wrote in 1990 about his first encounters with Cobain and Novoselic.

Beyond the Foo Fighters, Grohl also drummed for numerous bands, including Tom Petty and the Heartbreakers, Mike Watt, Queens of the Stone Age, Tenacious D, and Nine Inch Nails. He also recorded an album of metal songs featuring many of his favorite early-80s metal singers under the name Probot.

After the end of Nirvana, Novoselic formed Sweet 75. Later, he founded Eyes Adrift with Curt Kirkwood (formerly of the Meat Puppets) and Bud Gaugh (formerly of Sublime). He also performed in a one-off band called the No WTO Combo with Kim Thayil of Soundgarden and Jello Biafra of the Dead Kennedys that coincided with the WTO Meeting of 1999. In December 2006, Novoselic replaced bass player Bruno Desmartass in the band Flipper for a UK/Ireland tour and several US shows. [22] The band added "Scentless Apprentice" to their setlist, a song they had previously covered (minus Novoselic) on the 2000 Nirvana tribute album Smells Like Bleach: A Punk Tribute to Nirvana.

Novoselic also became a political activist, founding the political action committee JAMPAC to push musicians' rights. In 2004, he released a book titled Of Grunge and Government: Let's Fix This Broken Democracy, which covered his musical past as well as his political endeavors. During the 2004 Presidential campaign, Grohl and Novoselic appeared on stage together in support of the John Kerry campaign.

While Nirvana came to a sudden conclusion following their final show in Munich, the remaining members of the band (including Pat Smear) offered a bittersweet farewell to the band's fans. At the end of the Foo Fighters' 1997 performance at the Bumbershoot festival in Seattle, Grohl jumped behind the drum kit, with Novoselic wandering onstage with bass guitar in hand. The trio (Grohl, Novoselic, and Smear) serenaded the enthusiastic crowd with loose covers of Prince's "Purple Rain" and Led Zeppelin's "Communication Breakdown". The short performance served as a lighthearted nod to Seattle and all who supported Nirvana during its short, tumultuous, and unforgettable run.

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辛苦的说。

好像还不够完整~呵呵~

没有灵魂的音乐。到处!

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不够详细,但是基本上大事都有记了!

我贴这个呢只是想给一些新加入摇滚行列的同志们看

不然成天的听到Nirvana,也不知道是谁?

还有就是特别想要说说,Nirvana不是只有Kurt 一个人,呵呵,grohl还是很可爱的!

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流程.........

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比较喜欢他们鼓手以及他的FOO FIGHTERS


我的博客,,过来SEE SEE哦。。。http://blog.sina.com.cn/rock80

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